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Images of 'Hand Buckler' found, 50

 
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Queen of the Amazons, King Priamus, and Phrygian warriors wearing the chlamis (military cloak). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703472

Queen of the Amazons, King Priamus, and Phrygian warriors wearing the chlamis (military cloak). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703472

 
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A hand-coloured etching of a stained glass window depicting Sir William de Berdewell at Bardwell Church in Suffolk

BL3309233

A hand-coloured etching of a stained glass window depicting Sir William de Berdewell at Bardwell Church in Suffolk

BL3309233

 
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Mafré Ermengau of Béziers

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Mafré Ermengau of Béziers

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Psalm 20; hawking

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Psalm 20; hawking

BL3276388

 
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Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643981

Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643981

 
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Horseman

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Horseman

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First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340

 
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Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708168

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708168

 
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A Saxon chief

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A Saxon chief

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The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149

 
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Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707989

Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707989

 
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Norman soldiers: archer with chest, bow and arrow, infantryman with spear, shield and armor and infantryman in mesh armor, helm and especially military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708158

Norman soldiers: archer with chest, bow and arrow, infantryman with spear, shield and armor and infantryman in mesh armor, helm and especially military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708158

 
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Knight of the Order of Saint Blaise and Knight of the Order of Montjoie. The Order of Saint Blaise was only in Armenia in the 12th century and bears the name of the Patron Saint of the Kingdom. His religious wing carried out numerous prediction and conversion missions, and his military wing organized the defense of the country against Muslims. Montjoie's order was a military order during the Crusades. It was founded to protect the Christian pelerins in Palestine around 1180, established homes in Syria, Castile and Catalonia, and merged with the order of Calavatra in 1221. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708551

Knight of the Order of Saint Blaise and Knight of the Order of Montjoie. The Order of Saint Blaise was only in Armenia in the 12th century and bears the name of the Patron Saint of the Kingdom. His religious wing carried out numerous prediction and conversion missions, and his military wing organized the defense of the country against Muslims. Montjoie's order was a military order during the Crusades. It was founded to protect the Christian pelerins in Palestine around 1180, established homes in Syria, Castile and Catalonia, and merged with the order of Calavatra in 1221. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708551

 
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Costume of the Heruli (7), a people from the north established to the west of the Danube and having founded an empire destroyed by the Lombards, their costume was common to all barbarian peoples, the difference was made in the manufacture of the heaumes and the handle of the swordfish. Costume of the Britons (8), (copy of Speed “collection of clothing of different nations”” in 1772), who adopted the customs and clothing of the Romans. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707655

Costume of the Heruli (7), a people from the north established to the west of the Danube and having founded an empire destroyed by the Lombards, their costume was common to all barbarian peoples, the difference was made in the manufacture of the heaumes and the handle of the swordfish. Costume of the Britons (8), (copy of Speed “collection of clothing of different nations”” in 1772), who adopted the customs and clothing of the Romans. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707655

 
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Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

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Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

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Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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A man of the Sandwich Islands dancing. Drawn by John Webber and engraved by Charles Grignion. A scene in Hawaii in 1778. A man with tattooed legs and arms is holding a circular feather-edged shield in his right hand. Around his neck is seaweed and he has dog's teeth leggings attached below his knees. He is dancing. In the background is part of a house, with a low stone wall and a banana palm.

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A man of the Sandwich Islands dancing. Drawn by John Webber and engraved by Charles Grignion. A scene in Hawaii in 1778. A man with tattooed legs and arms is holding a circular feather-edged shield in his right hand. Around his neck is seaweed and he has dog's teeth leggings attached below his knees. He is dancing. In the background is part of a house, with a low stone wall and a banana palm.

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Illustration prefacing the table of contents. In the centre, a monumental figure of an ecclesiastic, dressed in green amice, blue chasuble and red stole, holds a spear in his right hand and a book in his left, and stands on a lion that bites the spear. He is flanked by two smaller figures; a soldier with a round shield and a scroll, and a monk offering a book; there are two yellow curtains drawn aside in the background. The figures are surrounded by a 'Winchester' type border of acanthus decoration with corner bosses

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Illustration prefacing the table of contents. In the centre, a monumental figure of an ecclesiastic, dressed in green amice, blue chasuble and red stole, holds a spear in his right hand and a book in his left, and stands on a lion that bites the spear. He is flanked by two smaller figures; a soldier with a round shield and a scroll, and a monk offering a book; there are two yellow curtains drawn aside in the background. The figures are surrounded by a 'Winchester' type border of acanthus decoration with corner bosses

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Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458. He wears a suit of plate armour with a distinctive plate gorget or hauus-col, pauldrons with projecting ridges, and wears the sword in front rather than at the side. He holds his armorial shield in his left hand. From a brassy effigy in Shernborne Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

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Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458. He wears a suit of plate armour with a distinctive plate gorget or hauus-col, pauldrons with projecting ridges, and wears the sword in front rather than at the side. He holds his armorial shield in his left hand. From a brassy effigy in Shernborne Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

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The cavalry soldiers of Guy I, Count of Ponthieu (died 1010), shirt vetus, short panties and shoes, with sword worn on the belt and hat (89, 91, 92,93 and 94). None of them wear a coat, not even the troop leader. Their shields were decorated with various figures, a style that reappeared in the 12th century, for the decoration of the shields was necessary when the faces were covered by the heaumes and the fighters made unidentifiable. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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The cavalry soldiers of Guy I, Count of Ponthieu (died 1010), shirt vetus, short panties and shoes, with sword worn on the belt and hat (89, 91, 92,93 and 94). None of them wear a coat, not even the troop leader. Their shields were decorated with various figures, a style that reappeared in the 12th century, for the decoration of the shields was necessary when the faces were covered by the heaumes and the fighters made unidentifiable. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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(Figures from left to right): Fig.14: Maud, empress of Rome, with triple crown, mound and sceptre; Fig.15: King John. In chain armour, shield showing the arms of England (three lions), the lion of England at this feet. Fig.16: King Edward IV, wearing armour, holding a sword, the lion of England at his feet. Fig.17: King Richard III, in armour, holding a sword. Fig.18: Eneas, ancestor of the earls of Warwick, as a youth, wearing armour. an Angel on is left arm and above him, a shield with a cross entwined by a serpent. In his right hand he hold a cup and hains of gold. At his feet lies the vanquished accuser of his mother.

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(Figures from left to right): Fig.14: Maud, empress of Rome, with triple crown, mound and sceptre; Fig.15: King John. In chain armour, shield showing the arms of England (three lions), the lion of England at this feet. Fig.16: King Edward IV, wearing armour, holding a sword, the lion of England at his feet. Fig.17: King Richard III, in armour, holding a sword. Fig.18: Eneas, ancestor of the earls of Warwick, as a youth, wearing armour. an Angel on is left arm and above him, a shield with a cross entwined by a serpent. In his right hand he hold a cup and hains of gold. At his feet lies the vanquished accuser of his mother.

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Knights in combat, 14th century, from 'Illustrations of Mediaeval Costume in England', 1853 (hand-coloured engraving)

English School, (19th century)

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Knights in combat, 14th century, from 'Illustrations of Mediaeval Costume in England', 1853 (hand-coloured engraving)

English School, (19th century)

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All Saints Church, Kingston; grass and gravestones in the foreground; houses and other buildings in the distance on the left and right-hand sides

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All Saints Church, Kingston; grass and gravestones in the foreground; houses and other buildings in the distance on the left and right-hand sides

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