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'Ceremonial Dress' images and/or videos results

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Images of 'Ceremonial Dress' found, 2,133

 
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Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503

 
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King George II (1683–1760)

Hudson, Thomas (1701-79)

USB1156543

King George II (1683–1760)

Hudson, Thomas (1701-79)

USB1156543

 
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Feb. 02, 1954 - New W.R.A.F. Uniform for Home and Overseas: New designs for No. 1 Home Dress uniforms for both officers and airwomen of the Women's Royal Air Force have now been approved and a new tropical dress has been designed for wear by all ranks in tropical climates. The design of the present No. 1 Dress for officers and airwoman of the W.R.A.F. is, with the exception of the skirt based on the service dress of the R.A.F. The new uniforms have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more emphasised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is cut away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming that the present straight s

ZUM4913686

Feb. 02, 1954 - New W.R.A.F. Uniform for Home and Overseas: New designs for No. 1 Home Dress uniforms for both officers and airwomen of the Women's Royal Air Force have now been approved and a new tropical dress has been designed for wear by all ranks in tropical climates. The design of the present No. 1 Dress for officers and airwoman of the W.R.A.F. is, with the exception of the skirt based on the service dress of the R.A.F. The new uniforms have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more emphasised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is cut away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming that the present straight s

ZUM4913686

 
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Dec. 00, 0000 - W.R.A.F. Sergeant Audrey Jackson, seen wearing the Airwoman New Style uniform today. dress of the R.A.F. The new uniform have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more empha ~ ised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is out away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming then the present straight skirt. The officers' uniform differs from the airwomen's in the design of the pockets and will continue to be made of blue-grey worsted serge as before. Except on ceremonial occasions when black service-pattern laced shoes are worn, the new style uniform may be worn with plain black punched calf walted court

ZUM4934334

Dec. 00, 0000 - W.R.A.F. Sergeant Audrey Jackson, seen wearing the Airwoman New Style uniform today. dress of the R.A.F. The new uniform have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more empha ~ ised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is out away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming then the present straight skirt. The officers' uniform differs from the airwomen's in the design of the pockets and will continue to be made of blue-grey worsted serge as before. Except on ceremonial occasions when black service-pattern laced shoes are worn, the new style uniform may be worn with plain black punched calf walted court

ZUM4934334

 
Potrait Of A Kathakali Dancer With Traditional Face Make Up, Kochi, India, 2008 (photo)

Eric Lafforgue

LFG7357693

Potrait Of A Kathakali Dancer With Traditional Face Make Up, Kochi, India, 2008 (photo)

Eric Lafforgue

LFG7357693

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357699

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357699

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357702

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357702

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357703

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357703

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357705

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357705

 
Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357706

Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357706

 
Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357707

Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357707

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357704

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357704

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357700

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357700

 
Portrait Of A Kathakali Dancer Opening His Eyes Wide, Kochi, India, 2008 (photo)

Eric Lafforgue

LFG7357694

Portrait Of A Kathakali Dancer Opening His Eyes Wide, Kochi, India, 2008 (photo)

Eric Lafforgue

LFG7357694

 
Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357701

Backstage With Kathakali Dancers In Fort Kochin, India, 2008 (photo)

Eric Lafforgue

LFG7357701

 
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Sir Charles Edward Trevelyan, 1st Baronet (1807-86), c.1861 A full-length portrait, facing right. He wears dark ceremonial dress with the red cordon of the insignia of the Bath. He holds a sword in his left hand and his plumed hat is in the crook of his right arm. On the left is a table with papers and books. A curtain with tassels is drawn back to show Government House, Madras, on the right. Trevelyan served with the East India Company 1826-38, retiring as Secretary to the Board of Revenue. He wrote on education and supported Macaulay on the issue of education through English. From 1840 to 1859 he was Assistant Secretary to the Treasury and reported on reforms in the civil service. He returned to India as Governor of Madras, March 1859-June 1860, but was recalled for publishing his opposition to the financial policy of the Government of India. He became however, Financial Member of the Supreme Council 1863-65. K.C.B, 1848.

BL3304782

Sir Charles Edward Trevelyan, 1st Baronet (1807-86), c.1861 A full-length portrait, facing right. He wears dark ceremonial dress with the red cordon of the insignia of the Bath. He holds a sword in his left hand and his plumed hat is in the crook of his right arm. On the left is a table with papers and books. A curtain with tassels is drawn back to show Government House, Madras, on the right. Trevelyan served with the East India Company 1826-38, retiring as Secretary to the Board of Revenue. He wrote on education and supported Macaulay on the issue of education through English. From 1840 to 1859 he was Assistant Secretary to the Treasury and reported on reforms in the civil service. He returned to India as Governor of Madras, March 1859-June 1860, but was recalled for publishing his opposition to the financial policy of the Government of India. He became however, Financial Member of the Supreme Council 1863-65. K.C.B, 1848.

BL3304782

 
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marriage

IMO2037496

marriage

IMO2037496

 
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Laing MS III 283, fol.164v, Crowned King James in the House of Lords, with Prince Charles to his left, from the 'Album Amicorum' of Michael van Meer, c.1614-15 (w/c on paper)

Dutch School, (17th century)

EUL416918

Laing MS III 283, fol.164v, Crowned King James in the House of Lords, with Prince Charles to his left, from the 'Album Amicorum' of Michael van Meer, c.1614-15 (w/c on paper)

Dutch School, (17th century)

EUL416918

 
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Portrait of Charles IV of Bourbon (Portici, 1748-Rome, 1819), Prince of Asturias and King of Spain, Painting by Francisco Jose de Goya y Lucientes (1746-1828)

Goya y Lucientes, Francisco Jose de (1746-1828)

DGA776772

Portrait of Charles IV of Bourbon (Portici, 1748-Rome, 1819), Prince of Asturias and King of Spain, Painting by Francisco Jose de Goya y Lucientes (1746-1828)

Goya y Lucientes, Francisco Jose de (1746-1828)

DGA776772

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